All stories by Michael Billington on BroadwayStars

Friday, February 10, 2017

Fences – review by Michael Billington

Duchess, LondonLenny Henry has won his spurs as a Shakespearean actor in Othello and The Comedy of Errors. Now he takes on the titanic role of Troy Maxson in August Wilson's Fences which won…

SOURCE: The Guardian at 09:03PM

Beware of Pity review – Simon McBurney astonishes with vision of a world on edge by Michael Billington

Barbican, London With dazzling virtuosity, this Complicite/Schaubühne staging of Stefan Zweig’s novel brilliantly evokes a doomed romance and the imminent horror of warBalzac, about whom …

SOURCE: The Guardian at 09:48AM
Thursday, February 9, 2017

Escaped Alone review – Caryl Churchill's wry chit-chat cradles catastrophe by Michael Billington

Royal Court, LondonLinda Bassett, Kika Markham, June Watson and Deborah Findlay deliver pitch-perfect performances in Churchill’s apocalyptic conversation piece Related: Here We Go review …

SOURCE: The Guardian at 06:32PM
Wednesday, February 8, 2017

The Bubbly Black Girl Sheds Her Chameleon Skin review – witty, vivacious musical by Michael Billington

Theatre Royal Stratford East, LondonA black dancer meets police prejudice and industry stereotyping as she bids to make it on Broadway in a lively, inventive storyIt has taken 17 years for t…

SOURCE: The Guardian at 06:24PM
Tuesday, February 7, 2017

Alec McCowen obituary by Michael Billington

Stage and screen actor known for his role as the assiduous sleuth in the Hitchcock film FrenzyAlec McCowen, who has died aged 91, was an actor of dazzling technical brilliance whose career e…

SOURCE: The Guardian at 01:36PM

School Play review – harassed head's testing day ticks all the boxes by Michael Billington

Southwark Playhouse, LondonAlex MacKeith’s debut play deals with the nuts and bolts of a test-driven education system and acts as a metaphor for other hard-pressed professionsPlays about s…

SOURCE: The Guardian at 09:18AM

Run the Beast Down review – a weird, wild tale of inner-city alienation by Michael Billington

Finborough, LondonTitas Halder’s strange one-man play, starring Ben Aldridge, looks to the urban fox to illustrate a life in free-fallA fascination with foxes runs through our literature, …

SOURCE: The Guardian at 08:12AM
Friday, February 3, 2017

Sex With Strangers review – snowbound tale of books and bonking by Michael Billington

Hampstead theatre, LondonEmilia Fox and Theo James star in Laura Eason’s two-hander about an implausible relationship between writers in a Michigan B&BThe title is certainly titillatin…

SOURCE: The Guardian at 09:18AM
Thursday, February 2, 2017

The Duchess of Malfi - review by Michael Billington

Sam Wanamaker Playhouse, LondonGemma Arterton brings beauty, determination and moral goodness to one of the great female rolesA new theatre is often a challenge. Until weathered and worn by …

SOURCE: The Guardian at 01:24PM

The White Devil review – passion, revenge and murder at the double by Michael Billington

Sam Wanamaker Playhouse, LondonAnnie Ryan’s production does full justice to the sinewy, aphoristic language in Webster’s sinister portrait of corruptionWebster’s dark Jacobean tragedie…

SOURCE: The Guardian at 11:12AM
Tuesday, January 31, 2017

Years of Sunlight review – shattered dreams in a 60s new town by Michael Billington

Theatre 503, LondonMichael McLean gets under the skin of his characters’ lives in Skelmersdale but his play skimps on the bigger pictureWhat happened to the social utopias of the 1960s, bu…

SOURCE: The Guardian at 09:36AM
Monday, January 30, 2017

The National Theatre's new season is a staggering dereliction of duty by Michael Billington

The NT usually manages a balance between revivals and new work. Now, classic plays are disappearing from its stages – and from regional reps tooDavid Hare has made the headlines with a dam…

SOURCE: The Guardian at 08:12AM
Sunday, January 29, 2017

John Hurt: an absolute master at portraying misfits by Michael Billington by Michael Billington

Hurt, who has died aged 77, was a superb, if too infrequent, stage actor. In plays by Beckett, Pinter and Stoppard, he had an intuitive understanding of outsidersI last saw John Hurt six mon…

SOURCE: The Guardian at 07:18AM
Thursday, January 26, 2017

Dirty Great Love Story review – the ideal show for apprehensive first dates by Michael Billington

Arts theatre, LondonRichard Marsh and Katie Bonna’s verse romcom is a wry, sweet-natured account of a totally believable relationshipHaving started out as a 10-minute pub poetry duet in 20…

SOURCE: The Guardian at 07:18AM
Wednesday, January 25, 2017

Dublin Oldschool review – DJ's wild weekend is a drug-fuelled odyssey by Michael Billington

Dorfman, London Emmet Kirwan stars in his play about rave-addicted Dublin youths, which displays a lust for language but offers little more than a sensory impressionWords, words, words. That…

SOURCE: The Guardian at 09:12AM

A Doll's House – review by Michael Billington

Young Vic, LondonCarrie Cracknell's production certainly puts a new spin on Ibsen's 1879 classic. As if to remind us that this is a play about domestic revolution, Ian MacNeil's design revol…

SOURCE: The Guardian at 12:24AM
Tuesday, January 24, 2017

Death Takes a Holiday review – smothered by prince's deadly charms by Michael Billington

Charing Cross theatre, LondonThom Southerland gracefully directs this strange musical, but the delightful songs and touching performances merely decorate a story that lacks biteLove is as st…

SOURCE: The Guardian at 09:18AM
Sunday, January 22, 2017

The Convert review – coming to grips with family and faith in a British colony by Michael Billington

Gate theatre, LondonChristopher Haydon ends his Gate reign on a high note with gripping story of a young African woman’s conversion to CatholicismChristopher Haydon’s final production at…

SOURCE: The Guardian at 07:06AM
Saturday, January 21, 2017

If You Don't Let Us Dream, We Won't Let You Sleep – review by Michael Billington

Royal Court, LondonAs someone who bemoans the dearth of political drama, I welcome the arrival of Anders Lustgarten's polemical bombshell. But while the play has bags of vigour and offers a …

SOURCE: The Guardian at 02:48PM
Thursday, January 19, 2017

Winter Solstice review – liberalism is no match for a history of extremism by Michael Billington

Orange Tree, LondonA middle-class family accept a stranger for Christmas, but is he what he seems? This radical, transfixing play is about Germany but has universal relevanceThe timing is pe…

SOURCE: The Guardian at 08:24AM

Adler and Gibb review – a high-concept satire on the cult of the artist by Michael Billington

Royal Court theatre, LondonTim Crouch's show explores our obsession with artists' lives, but occasionally lets the form get in the way of its message• Playwright Tim Crouch: 'Avoiding the …

SOURCE: The Guardian at 01:54AM
Wednesday, January 18, 2017

Promises, Promises review – Bacharach's musical makeover of Wilder's Apartment by Michael Billington

Southwark Playhouse, London A revival of Neil Simon’s adaptation of the Billy Wilder classic, with songs by Bacharach and Hal David, is well performed but gratingly anachronisticThis music…

SOURCE: The Guardian at 07:18AM
Tuesday, January 17, 2017

The Lower Depths review – Gorky's down-and-outs lost in drink and dreams by Michael Billington

Arcola, London A cast of 18 bring the Russian writer’s drifters and derelicts vividly to life in a production that captures his blend of compassion and crueltyMaxim Gorky’s 1902 play is …

SOURCE: The Guardian at 08:12AM
Friday, January 13, 2017

Just an Ordinary Lawyer review – solo show honours Britain's first black judge by Michael Billington

Theatro Technis, LondonTayo Aluko’s tribute to Tunji Sowande mixes politics, music and cricket for a tuneful portrait of a legal pioneerTayo Aluko wrote and performed the remarkable Call M…

SOURCE: The Guardian at 09:33AM
Thursday, January 12, 2017

BU21 review – extraordinary drama imagines aftermath of a terror attack by Michael Billington

Trafalgar Studios, LondonStuart Slade’s play about a survivors’ group recalling a horrific incident is a thoughtful, arresting and blackly funny study of how we cope with tragedyHow woul…

SOURCE: The Guardian at 07:18AM
Wednesday, January 11, 2017

Veterans Day review – prophetic tale of the horrors of war by Michael Billington

Finborough, LondonA Vietnam vet plots to kill the US president in a tense three-hander that trains a spotlight on human rights abuses and ex-soldiers’ mental healthDonald Freed’s play wa…

SOURCE: The Guardian at 07:12AM
Tuesday, January 10, 2017

The Kite Runner review – loses its grip on Khaled Hosseini’s engaging tale by Michael Billington

Wyndham’s, LondonMatthew Spangler’s workmanlike adaptation of the bestselling novel about Afghanistan does a decent job but reduces it to a series of chronological eventsIt’s an old pr…

SOURCE: The Guardian at 06:18PM
Saturday, January 7, 2017

Theatre review: Scarborough / Royal Court, London by Michael Billington

Royal Court, LondonEcstatically received on the Edinburgh fringe, Fiona Evans's play has been expanded here. First, we get a close-up study of a female teacher-boy pupil relationship during …

SOURCE: The Guardian at 09:33PM

Centre stage: the best theatre of 2017 by Michael Billington

Hamilton comes to London, Sherlock villain Andrew Scott adds Hamlet to his CV, Damian Lewis falls in love with a goat, and Ivo van Hove directs Jude Law in a tale of lust, greed and murder M…

SOURCE: The Guardian at 05:18AM
Friday, January 6, 2017

Tennessee Williams: the quiet revolutionary | Michael Billington by Michael Billington

As Tennessee Williams's A Streetcar Named Desire opens in the West End, we celebrate a writer with a strong social conscience who saw the human condition – especially his own – as faintl…

SOURCE: The Guardian at 03:04PM

The Trackers of Oxyrhynchus review – sing-along-a Sophocles by Michael Billington

Finborough, LondonTony Harrison’s collision of high and low art fashions a Greek satyr play into a barbed comment on the lack of imagination in contemporary cultureMy abiding memory of Ton…

SOURCE: The Guardian at 07:24AM

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