Wednesday, May 19, 2021
Wednesday, May 5, 2021
He helped popularize ballet with an all-American style, combining the nonchalance of Fred Astaire with the nobility of a classic male dancer. Hollywood came calling, too.
SOURCE: The New York Times Subscription at 10:12AMTuesday, May 4, 2021
Coppola and Justin Peck talk about how they approached making a film for New York City Ballet’s digital spring gala.
SOURCE: The New York Times Subscription at 02:45PMMonday, May 3, 2021
He embodied an all-American style, combining the nonchalant elegance of Fred Astaire with the nobility of a classic male dancer. Hollywood came calling, too.
SOURCE: The New York Times Subscription at 02:52PMThursday, April 22, 2021
The dancer, Chloé Lopes Gomes, spoke out about racism last year after her contract was not renewed, and she will stay on, after arbitration.
SOURCE: The New York Times Subscription at 12:27PMTuesday, April 20, 2021
Saturday, April 17, 2021
He rose to fame in the dance world with remarkable speed. His subsequent downfall, amid allegations of sexual misconduct, happened just as abruptly.
SOURCE: The New York Times Subscription at 04:13PMFriday, April 16, 2021
She was acclaimed for her work on the TV series “Peaky Blinders” and in three Harry Potter movies, but she first gained notice in the London theater.
SOURCE: The New York Times Subscription at 06:54PMTuesday, April 13, 2021
The celebrated choreographer created roles for her. The critics hailed her. Yet her death a year ago went largely unnoticed in the dance world.
SOURCE: The New York Times Subscription at 03:04PMTuesday, April 6, 2021
For “When We Fell,” a filmed dance, the choreographer took cues from a snowy bubble residency — and from Prince’s “Under the Cherry Moon.”
SOURCE: The New York Times Subscription at 10:49AMFriday, April 2, 2021
At Ballet National de Marseille, a varied night of dances by Lucinda Childs, Tânia Carvalho, Lasseindra Ninja and Oona Doherty.
SOURCE: The New York Times Subscription at 02:44PMWednesday, March 31, 2021
Thursday, March 25, 2021
Friday, March 19, 2021
Hugo Marchand talks about his memoir, “Danser,” about the intensity of the company and about dancing with Anselm Kiefer paintings.
SOURCE: The New York Times Subscription at 11:28AMSaturday, March 13, 2021
Renowned as both a star dancer and the director of the Paris Opera Ballet, he was a household name in France from an early age.
SOURCE: The New York Times Subscription at 12:02PMThursday, February 25, 2021
“It felt like the right next step,” the former New York City Ballet dancer said of taking on a leadership role at the Colburn School.
SOURCE: The New York Times Subscription at 06:10PMWednesday, January 6, 2021
The history of the Royal Academy of Dance, outlined at an exhibition in London, is synonymous with the history of ballet in Britain.
SOURCE: The New York Times Subscription at 05:12AMTuesday, December 3, 2019
More than 20 countries have sent over 100 productions, including large-scale works by some of the hottest directors. So why have so few heard of the event?
SOURCE: The New York Times Subscription at 12:06PMTuesday, October 15, 2019
In Michael Keegan-Dolan’s reimagining at the Next Wave Festival, there are no tutus, Tchaikovsky or castles.
SOURCE: The New York Times Subscription at 12:24PMFriday, September 13, 2019
The Théâtre du Châtelet is reopening after a two-and-a-half-year renovation, with a new artistic director and an inclusive new mission.
SOURCE: The New York Times Subscription at 06:42AMSunday, August 4, 2019
Royal Opera House, LondonWhat Yuri Grigorovich’s Soviet-era ballet lacks in subtlety it makes up for in sheer virtuosity and spectacle
Liberation! Courage! Indomitable will! Sacrifice for …
SOURCE: The Guardian at 06:24AMFriday, July 5, 2019
The choreographer, whose playfulness is serious, will stage three pieces by Beckett, who wears his seriousness lightly, at a festival in Northern Ireland.
SOURCE: The New York Times Subscription at 06:48PMSunday, May 12, 2019
Royal Opera House, LondonSidi Larbi Cherkaoui’s new ballet Medusa, with Natalia Osipova in the title role, is the tame centre of this Royal Ballet triple bill
A woman is raped, then blamed…
SOURCE: The Guardian at 05:12AMWednesday, April 3, 2019
South African actors John Kani and Antony Sher reunite for a play that explores how attitudes have, and haven’t changed, in the 25 years since democracy.
SOURCE: The New York Times Subscription at 10:00AMWednesday, September 26, 2018
The actor left the stage soon after playing Lear in 1986. Now 80, he is giving it another go, in a made-for-television film directed by Richard Eyre.
SOURCE: The New York Times Subscription at 04:18AMWednesday, September 19, 2018
What’s inside Agnes de Mille’s unopened 1963 letter? Rather than peeking, an organization is commissioning new work in her honor.
SOURCE: The New York Times Subscription at 01:42PMFriday, August 31, 2018
The playwright Richard Bean brings world-class professional snooker onstage in “The Nap,” produced by the Manhattan Theater Club.
SOURCE: The New York Times Subscription at 05:42AMSunday, August 19, 2018
There was plenty of Homer, a stellar lineup and, for now, no problem crossing the border at the third annual celebration of the life and work of Brian FrielTamsin Greig, Alex Jennings, Maxin…
SOURCE: The Guardian at 03:24AMThursday, July 12, 2018
The experimental director and avant-garde choreographer’s production — the first in the U.S. not to be based on Jerome Robbins’s choreography — will come to Broadway.
SOURCE: The New York Times Subscription at 04:18PMTuesday, July 10, 2018
“Harry Potter and the Cursed Child” doesn’t use elaborate special effects. Its magic comes from movement, and Steven Hoggett is its wizard choreographer.
SOURCE: The New York Times Subscription at 12:12PMWednesday, June 13, 2018
