All stories by Lyndsey Winship on BroadwayStars

Wednesday, August 23, 2023

I’m Muslamic – Don’t Panik review – a warm-hearted, gently political journey by Lyndsey Winship

Assembly @ Dance Base, EdinburghBobak Champion is a storyteller who dances from one character to another in these travels between Bristol and Tehran There is a fragrant scent when you walk i…

SOURCE: The Guardian at 03:43PM

Starry Shakespeare, super standups and a Black Sabbath ballet: the best theatre, dance and comedy of autumn 2023 by Arifa Akbar, Brian Logan and Lyndsey Winship

Patsy Ferran takes on Eliza in Pygmalion, Andrew Scott plays multiple characters from Uncle Vanya and Mlima’s Tale tells a powerful tale of the ivory trade. Here’s what’s in store on s…

SOURCE: The Guardian at 03:55AM
Monday, August 21, 2023

Duet with a doppelganger: Edinburgh fringe dances to a different tune by Lyndsey Winship

The festival’s Dance Base hosts eclectic performances involving a wondrous paper sculpture, an examination of duality and Bach reimagined There are more shows at the fringe than you could …

SOURCE: The Guardian at 06:04AM
Sunday, August 20, 2023

Mass Effect review – a wild dance towards naked truth by Lyndsey Winship

Summerhall, EdinburghThis life-affirming show from the Danish company Himherandit Productions moves from HIIT class to bacchanale We’re two minutes in and already those of us sitting down …

SOURCE: The Guardian at 01:43PM

Dances Like a Bomb review – age-old questions of bad elastic, death and hypnosis by gin by Lyndsey Winship

Zoo Southside, EdinburghMikel Murfi and Finola Cronin have laughs, despair and arresting moments of connection in a dance-theatre show about the realities of ageing The flub, that’s what …

SOURCE: The Guardian at 08:19AM
Saturday, August 19, 2023

Phaedra/Minotaur review – gripping double bill scales the heights of emotion by Lyndsey Winship

Royal Lyceum, EdinburghMezzo soprano Christine Rice is compelling in the first half while dancers in the dreamlike second part are a revelation in Deborah Warner’s simply staged show A ter…

SOURCE: The Guardian at 09:19AM
Friday, August 18, 2023

Bird review – fear punctuates the fluid dancing in this tale of domestic violence by Lyndsey Winship

Summerhall, EdinburghThe three dancers portray arrestingly clear images of women on high alert, but a potent performance is marred at times by scrappiness and muddy rhythms The choreographer…

SOURCE: The Guardian at 05:49PM

After All review – a goofy whirl of remembrance by Lyndsey Winship

Assembly @ Dance Base, EdinburghMushroom coffins, organic wool shrouds and funeral re-enactments pepper Solène Weinachter’s light touch but poignant show Sinatra, T Rex, pan pipe muzak: w…

SOURCE: The Guardian at 03:43PM
Thursday, August 3, 2023

The Australian Ballet: Jewels review – lots of glitter but no gold by Lyndsey Winship

George Balanchine’s choreography is gorgeous to look at, and there are standout individual performances, but it really needs more lush grandeur It’s 35 years since the Australian Ballet …

SOURCE: The Guardian at 09:13AM
Thursday, July 27, 2023

Carlos at 50 review – stunning tricks and charisma to burn by Lyndsey Winship

Royal Opera House, London Of course Acosta has lost a little bounce after half a century, but the Cuban master still dances with care, specificity and dramatic flair When Carlos Acosta stage…

SOURCE: The Guardian at 10:55AM
Tuesday, July 18, 2023

‘We will reach everyone in Jersey eventually’: island ballet company’s giant leap by Lyndsey Winship

The Channel island now has a professional ballet outfit, run by Canadian former dancer Carolyn Rose Ramsay. She remembers rehearsals in a potato warehouse and shares ambitious plans ‘I’v…

SOURCE: The Guardian at 02:13AM
Sunday, July 16, 2023

Benji Reid: Find Your Eyes review – powerful, wondrous ways of seeing by Lyndsey Winship

Manchester AcademyThree dancers are photographed by Reid in real time – and the beautiful still moments he extracts from their choreography form into a striking visual narrative before you…

SOURCE: The Guardian at 07:43AM

ROSE review – Sharon Eyal takes thrilling choreo to the club by Lyndsey Winship

New Century Hall, ManchesterLace-clad dancers writhe and prowl across a packed dancefloor, titillating close-up audience members with their supreme confidence and awesome muscular control Fo…

SOURCE: The Guardian at 07:43AM
Thursday, July 13, 2023

Stomping ground: bursts of brilliance at London’s flamenco festival by Lyndsey Winship

Two shows at Sadler’s Wells reveal the range of influences and restless experimentation that are key to the ever-progressing art form Since the annual flamenco festival was first staged at…

SOURCE: The Guardian at 01:37PM
Wednesday, July 12, 2023

Pleasure and pliés: the ballet bonkbusters handling dance’s hot button issues by Lyndsey Winship

New novels combine romance and raunchy trysts with body politics and an exploration of the industry’s power dynamics Where would you expect to read the latest on the politics of the ballet…

SOURCE: The Guardian at 04:04AM
Wednesday, July 5, 2023

Wayne Sleep at 75: ‘Did Rudolf Nureyev pinch my bum? More than that’ by Lyndsey Winship

He danced with ballet’s legends, partied with Freddie Mercury, and became a household name. As he celebrates his birthday with a gala performance, the 5ft 2in dynamo looks back at an actio…

SOURCE: The Guardian at 12:25PM

Edinburgh festival 2023: 50 shows to see by Brian Logan, Arifa Akbar and Lyndsey Winship

Cracking comedy, an eclectic mix of theatre – and aerial dance in an ice rink. Our critics share their picks for the August arts extravaganza Rhod Gilbert: Work in Progress Gilded Balloon …

SOURCE: The Guardian at 09:07AM
Friday, June 16, 2023

‘A scramble of ideas’: how Glasgow became a hive of experimental performance by Lyndsey Winship

Our series on regional dance scenes continues in the Scottish city where a close-knit group of artists with a DIY spirit have found a willing audience open to cutting-edge work Saturday nigh…

SOURCE: The Guardian at 07:19AM

English National Ballet: Cinderella review – perfectly lovely romance by Lyndsey Winship

Royal Albert Hall, LondonElena Takahashi’s finely tuned grace is framed by visual and design flair in Christopher Wheeldon’s conventional show in-the-round Fairytale ballets are great fo…

SOURCE: The Guardian at 07:19AM
Wednesday, June 14, 2023

42nd Street review – frivolous fantasy given punch, precision and panache by Lyndsey Winship

Sadler’s Wells, LondonThis classic song-and-dancer directed by Jonathan Church has a tight ensemble cast and sunny vibes throughout There’s a seam of bright positivity running through 42…

SOURCE: The Guardian at 07:25PM

‘We had both grown up but didn’t know each other’: a mother and son’s dance reunion by Lyndsey Winship

Latifa Khamessi’s parents prohibited her from dancing. Now, after years apart, she and her son Mohamed Toukabri share the stage for a duet As a teenager in 1970s Tunis, Latifa Khamessi use…

SOURCE: The Guardian at 04:19AM
Sunday, May 28, 2023

Requiem review – Mozart meets stomping South African movement by Lyndsey Winship

Leeds Grand theatreA double bill from Phoenix Dance Theatre and Opera North contrasts Mozart’s wretched souls with Neo Muyanga’s After Party – two very different ways of dealing with d…

SOURCE: The Guardian at 09:24AM
Friday, May 19, 2023

‘The first feeling is fear’: the daredevil group bringing ropewalking and climbing to the theatre by Lyndsey Winship

It started with a tightrope walk over the Seine: now Rachid Ouramdane has coaxed highliner Nathan Paulin and free climber Nina Caprez into sharing their high-adrenaline experiences and uniqu…

SOURCE: The Guardian at 09:32AM
Wednesday, May 17, 2023

Kizlar review – a dance of the warriors with hip-swinging swagger by Lyndsey Winship

Theatre Royal, BrightonCeyda Tanc’s all-female troupe put on a display of sass and self-possession as they redesign a traditional Turkish folk dance Some Turkish folk dances are only perfo…

SOURCE: The Guardian at 08:03AM
Sunday, May 14, 2023

UniVerse: A Dark Crystal Odyssey review – earth, air, fire and water send a powerful message in Wayne McGregor premiere by Lyndsey Winship

Royal Opera House, LondonThis bleak but arresting meditation on our ailing planet combines dance, poetry, film and music to startling effect The key thing to know about Wayne McGregor’s ne…

SOURCE: The Guardian at 08:06AM
Friday, May 12, 2023

Skid/Saaba review – speed, struggle and surrender on a steep slope by Lyndsey Winship

Sadler’s Wells, LondonGöteborgsOperans Danskompani’s versatile dancers tumble, slide and climb in Damien Jalet’s vertiginous piece then switch to more measured movements by Sharon Eya…

SOURCE: The Guardian at 10:06AM
Tuesday, May 9, 2023

‘Joanna Lumley is my ultimate’: Strictly supremo Jason Gilkison on dream contestants and his Eurovision drag spectacular by Lyndsey Winship

The choreographer shares his ballroom roots, his love for Liverpool nightlife and what makes a perfect TV dance duo “The attitude here is that everyone loves the underdog,” says Jason Gi…

SOURCE: The Guardian at 08:36AM

Praise this stage: the derelict church that became a haven for dance by Lyndsey Winship

Our series on regional dance scenes continues in Bristol where a centuries-old church has become a creative hub thanks to hard work and a touch of serendipity You walk into the space, and wo…

SOURCE: The Guardian at 02:12AM
Thursday, May 4, 2023

Russell Maliphant Dance Company: Vortex review – Jackson Pollock in pure motion by Lyndsey Winship

Sadler’s Wells, LondonAbstracted figures moving at a mesmerically measured pace recreate the US artist’s painting technique Russell Maliphant’s dance is rooted in ideas of energy and f…

SOURCE: The Guardian at 08:36AM
Monday, May 1, 2023

‘You’re very fat up here’: was dance god George Balanchine a controlling monster? by Lyndsey Winship

He was a trail-blazing genius who electrified US ballet. But he was also a dictatorial grudge-bearer who married four of his dancers. How should we remember the Russian-American choreographe…

SOURCE: The Guardian at 01:54PM

Breakin’ Convention review – vibrant hip-hop party is a triumph by Lyndsey Winship

Sadler’s Wells, LondonThe 20th edition of Jonzi D’s hip-hop theatre festival showcases new styles and old-school vibes with personality and humour Jonzi D turned down an MBE when he was …

SOURCE: The Guardian at 05:06AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards