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747 stories by "Lyndsey Winship"

‘People like me needed Sinéad O’Connor’: how the singer and activist inspired a new dance work by Lyndsey Winship

Tony-winning choreographer Sonya Tayeh was ‘broken up’ when she heard about the Irish singer-songwriter’s death three years ago. Now she and a group of over-40s female dancers are payi…

SOURCE: The Guardian at 10:00am on June 19, 2026

Toe-to-toe boxers, a moving maze and comedy flamenco: Edinburgh festival 2026’s hottest dance and circus by Lyndsey Winship

This year brings world-renowned choreographers, ballet cabaret and fluffy clowns for toddlersThis was San Francisco Ballet’s big new commission in 2024, now getting its European premiere a…

SOURCE: The Guardian at 1:20am on June 19, 2026

Jesús Carmona: UnYdos review – flamenco delivered with flourish and fire by Lyndsey Winship

Sadler’s Wells, London The annual Flamenco festival kicks off in spectacular style, with a show of serpentine grace and rhythmic precisionThere are lots of places in life where being full …

SOURCE: The Guardian at 11:30am on June 17, 2026

‘In the past, there was lots of swearing and saying you were crap’: my day at the all-new Italia Conti stage school by Lyndsey Winship

From Noël Coward to Martine McCutcheon, the famed institution has been hothousing talent for more than a century. Our writer finds there’s a softer approach these days – and a food bank…

SOURCE: The Guardian at 12:40am on June 17, 2026

A Life in Four Seasons review – dancers of all ages have spring in their steps by Lyndsey Winship

Regent’s Park Open Air theatre, LondonPerformers representing the four seasons of life – and a wide range of styles – dance to a ravey remix of VivaldiIt was a great idea: a dance thro…

SOURCE: The Guardian at 9:10am on June 14, 2026

So Are We: León and Lightfoot review – mesmerising moments in a Royal Ballet homecoming by Lyndsey Winship

Royal Opera House, LondonProdigal son Paul Lightfoot returns with Sol León for their first performance by a British dance company. The result is impressively choreographed, if in need of mo…

SOURCE: The Guardian at 9:40am on June 12, 2026

‘Peaky Blinders is our Nutcracker’: how Rambert are dragging dance into the present – and their message for Timothée Chalamet by Lyndsey Winship

How does a 100-year-old dance company face the 21st century? For Rambert’s Benoit Swan Pouffer the answer is combining innovation with popular adaptations such as the Brummie crime sagaOn …

SOURCE: The Guardian at 4:15am on June 12, 2026

This is Rambert review – 100th birthday knees-up is a big leap forward by Lyndsey Winship

Sadler’s Wells, LondonThe company’s centenary celebration isn’t about nostalgia – this occasionally thrilling triple bill of recent creations showcases some excellent dancersBritain�…

SOURCE: The Guardian at 3:10pm on June 11, 2026

Marco da Silva Ferreira: F*cking Future review – voice of the moment calls for protest through partying by Lyndsey Winship

Sadler’s Wells East, LondonWith a 3am aloofly sexy vibe, the Portuguese choreographer’s slow build is subtly intoxicating – while its intensity will leave you craving moreLast year, fo…

SOURCE: The Guardian at 9:50am on June 5, 2026

‘My first drag turn? As Karen Carpenter in hotpants!’ La Voix on swinger cruises, Strictly – and blazing into musicals by Lyndsey Winship

From Drag Race to Eurovision to Strictly, La Voix is going stratospheric. And Chris Dennis, the man behind the crimson coiffure, is thrilled. He talks about his cruise ship highs, doing pant…

SOURCE: The Guardian at 12:15am on May 25, 2026

Uncaged+ review – elegant sketches of Lee Krasner and her life with Jackson Pollock by Lyndsey Winship

The Mount Without, Bristol Fame’s Antonia Franceschi delivers a double portrait of Krasner, with music by Claire van Kampen, plus there’s a superb solo from Edward WatsonTwo notable wome…

SOURCE: The Guardian at 2:50pm on May 20, 2026

Tulsa Ballet: Made in America review – fantastically flexible Oklahoman squad are A-OK! by Lyndsey Winship

Linbury theatre, Royal Opera House, LondonThe first UK visit for the company showcases the dancers’ elegance and versatility across three pieces of varying impactThis small Oklahoman dance…

SOURCE: The Guardian at 3:10pm on May 14, 2026

‘My dad cannot see me on stage doing this’: will the stigma around boys who dance ever shift? by Lyndsey Winship

As the pioneering BalletBoyz company celebrates its 25th anniversary and Billy Elliott returns to the stage, the male dance landscape appears transformed from where it was at the turn of the…

SOURCE: The Guardian at 11:25am on May 10, 2026

Bullyache: A Good Man Is Hard to Find review – banking bros face their reckoning in grim gameshow by Lyndsey Winship

Sadler’s Wells East, LondonCourtney Deyn and Jacob Samuel conjure a bleak world of excess, ritual and power in a visually striking but limited piece of dance-theatreIt’s like the afterma…

SOURCE: The Guardian at 10:50am on May 8, 2026

Les Ballets Trockadero de Monte Carlo review – slapstick ballet troupe is always on pointe by Lyndsey Winship

Sadler’s Wells, LondonMen in tutus and pointe shoes loving and parodying their art form never ages; it’s both simple and very sophisticatedDepending on how you look at it, drag ballet tr…

SOURCE: The Guardian at 12:25am on May 7, 2026

Océan Brun review – Caribbean islanders’ lament ripples through Leicester Cathedral by Lyndsey Winship

Leicester CathedralPart of the Let’s Dance International Frontiers festival, Compagnie Kaméléonite’s piece about the climate crisis features two transfixing performersIn the once clear…

SOURCE: The Guardian at 10:56am on May 1, 2026

Unnatural Harmony: Sounds of Lee Alexander McQueen review – MOR tribute to a fashion maverick by Lyndsey Winship

Royal Festival Hall, LondonFeaturing music that inspired the designer, this show brings together Le Gateau Chocolat, dancers in body stockings and a formal orchestra to mild effectThe small …

SOURCE: The Guardian at 2:30pm on April 30, 2026

Louise Lecavalier: Danses Vagabondes – part witchy raver, part manic pixie dream grandmother by Lyndsey Winship

Sadler’s Wells East, LondonAt 67, the mercurial Lecavalier is in the I’ll-do-whatever-I-want phase of her career, choreographing solos that are worlds away from cosy retirementLouise Lec…

SOURCE: The Guardian at 1:55am on April 27, 2026

Wayne McGregor: Alchemies review " this spellbinding dancing will make you swoon by Lyndsey Winship

Royal Opera House, LondonIncredible physical facility is married to expressive lyricism in this triple bill by the Royal Ballet's ever adventurous resident choreographer. You never know what…

SOURCE: The Guardian at 9:06am on April 20, 2026

The Center Will Not Hold review " a compelling conversation between US dance styles by Lyndsey Winship

Sadler's Wells, LondonTap, waacking, jookin', footwork and jit are among the traditional, street and club styles that come together as Michelle Dorrance showcases a startling array of forms …

SOURCE: The Guardian at 12:24pm on April 19, 2026

PCK Dance: Into the Light review " future moves towards a low-key apocalypse by Lyndsey Winship

The Place, London This double bill from choreographers James Pett and Travis Clausen-Knight features fluent steps, tension and expression, but their expressed human connection to an AI-drive…

SOURCE: The Guardian at 12:36pm on April 13, 2026

Dance hall dynamite just keeps on giving: Pina Bausch/Meryl Tankard: Kontakthof, Echoes of 78 review by Lyndsey Winship

Sadler's Wells, LondonThis parody of courting rituals brings back its inaugural dancers 48 years on " ghosting their onstage choreography with footage of their younger selves, for a moving l…

SOURCE: The Guardian at 7:24am on April 11, 2026

Kinky Boots: The Musical review " Strictly's Johannes Radebe is a perfect fit by Lyndsey Winship

London ColiseumSuperbly cast, the dancer brings stratospheric levels of charisma to a rather pedestrian show driven by Cyndi Lauper's songs Johannes Radebe (AKA Jojo from Strictly) is a born…

SOURCE: The Guardian at 7:54pm on March 31, 2026

English National Ballet: Body & Soul review " from an army of AI bots to waves of pure human emotion by Lyndsey Winship

Sadler's Wells, LondonKameron N Saunders's ambitious sci-fi-coded fable is paired with a showcase of Crystal Pite's mastery in contrasting order with human messiness The headline news here i…

SOURCE: The Guardian at 5:48am on March 26, 2026

Gentleman Jack review " Northern Ballet's stylish lesbian love story is super-sexy by Lyndsey Winship

Leeds Grand theatre Annabelle Lopez Ochoa's choreography keeps a tight hold on the narrative and the erotically charged pas de deux between the lovers packs real heat Northern Ballet's new s…

SOURCE: The Guardian at 11:36am on March 18, 2026
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