All stories by Alexis Soloski on BroadwayStars

Thursday, August 16, 2018

Pretty Woman review – Broadway romcom transfer is a tasteless disaster by Alexis Soloski

Nederlander Theater, New YorkThe dated gender politics of the Julia Roberts hit fail to receive an upgrade in a shallow musical that falls apart on stageTuneful, schlocky, and deeply offensi…

SOURCE: The Guardian at 11:04PM
Monday, August 13, 2018

He Used to Move Pianos. Now He Moves Audiences. by Alexis Soloski

Stephen Payne, a longtime understudy, gets his first Broadway starring role in “Straight White Men.”

SOURCE: The New York Times Subscription at 01:04PM
Monday, August 6, 2018

Review: Whimsy, Horror and Missing Bones in ‘Hunter John and Jane’ by Alexis Soloski

Two lost souls (one literally back from the afterlife) meet in a gritty city park in Amina Henry’s overstuffed but empathetic play.

SOURCE: The New York Times Subscription at 03:18PM
Friday, August 3, 2018

Learning Lines. And Crossing Them. by Alexis Soloski

A brief (recent) history of plays, films and TV shows exploring the fraught, sometimes predatory relationship between directors and their charges.

SOURCE: The New York Times Subscription at 10:18AM
Thursday, August 2, 2018

Review: Mike Birbiglia Has a ‘New One.’ It’s Funny Until It Isn’t. by Alexis Soloski

Mr. Birbiglia’s solo show about becoming a father is at first excruciatingly funny and then just kind of excruciating.

SOURCE: The New York Times Subscription at 10:04PM

6 Plays and Musicals to Go to in N.Y.C. This Weekend by Alexis Soloski

Previews, openings and some last-chance picks.

SOURCE: The New York Times Subscription at 05:12PM
Tuesday, July 31, 2018

Homeland's Mandy Patinkin: ‘Reality, for me? Not so good’ by Alexis Soloski

The outspoken star, who has recorded a ‘prayer for peace’, gives a few clues about how the show might end – and says why he’s more comfortable with fantasy than the real world“Let�…

SOURCE: The Guardian at 10:48AM
Thursday, July 26, 2018

Head Over Heels review – Go-Go's jukebox musical packs a power-pop punch by Alexis Soloski

Hudson Theatre, New YorkA zippy, frothy combination of songs from the Go-Go’s and a bawdy Shakespearean comedy plot delivers goofy, if forgettable, funJust your everyday genderqueer pastor…

SOURCE: The Guardian at 10:54PM
Monday, July 23, 2018

Straight White Men review – Armie Hammer skewers male privilege in dark comedy by Alexis Soloski

Hayes Theater, New YorkA subversive look at masculinity boasts canny, self-aware performances and a shrewd dissection of gender rolesAt the end of the pre-show announcement for the Broadway …

SOURCE: The Guardian at 11:18PM
Monday, July 16, 2018

Review: ‘Fire in Dreamland’ Is a Parable of Love and Licorice by Alexis Soloski

Rinne Groff’s new play, at the Public Theater, brings arguments about art and relationships to Coney Island in the aftermath of Hurricane Sandy.

SOURCE: The New York Times Subscription at 10:18PM
Sunday, July 15, 2018

Review: A Stranger, Sexier Version of ‘Peter Pan’? It’s Leonard Bernstein’s. by Alexis Soloski

In this production of J.M. Barrie’s 1904 play, Bernstein’s neglected score brings out the characters’ melancholic desires.

SOURCE: The New York Times Subscription at 04:48PM
Thursday, July 12, 2018

12 Plays and Musicals to Go to in N.Y.C. This Weekend by Alexis Soloski

Previews, openings and some last-chance picks.

SOURCE: The New York Times Subscription at 05:18PM

Review: ‘Gone Missing,’ Now a Poignant Reminder of a Career Cut Short by Alexis Soloski

The death of the show’s composer, Michael Friedman, makes this musical about loss an accidental and indispensable elegy.

SOURCE: The New York Times Subscription at 11:48AM
Tuesday, July 10, 2018

Review: Mummenschanz Offers Wonder, and a Grumpy Trash Bag by Alexis Soloski

This Swiss mime troupe’s show “you & me” is like the Muppets, but heavily influenced by French surrealism and a few psychotropics.

SOURCE: The New York Times Subscription at 11:18PM
Friday, July 6, 2018

In This Play About Race, ‘People Need to Be Uncomfortable’ by Alexis Soloski

There have been complaints that “Fairview,” currently at Soho Rep, goes too far and complaints that it doesn’t go far enough.

SOURCE: The New York Times Subscription at 01:48PM
Thursday, July 5, 2018

10 Plays and Musicals to Go to in N.Y.C. This Weekend by Alexis Soloski

Previews, openings and some last-chance picks.

SOURCE: The New York Times Subscription at 05:18PM
Monday, July 2, 2018

Review: ‘Conflict’ Reaches Across the Decades and the Aisle by Alexis Soloski

A play from 1925 that argues, as one character says, “for giving the best in human nature a chance.”

SOURCE: The New York Times Subscription at 12:18PM
Thursday, June 28, 2018

7 Plays and Musicals to Go to in N.Y.C. This Weekend by Alexis Soloski

Previews, openings and some last-chance picks.

SOURCE: The New York Times Subscription at 05:18PM

Fun Home review – Alison Bechdel's childhood trauma revisited with songs by Alexis Soloski

Circle in the Square Theater, New YorkBased on a graphic novel memoir about growing up gay in a funeral home, this smart, sophisticated Broadway musical includes one astonishing performanceF…

SOURCE: The Guardian at 02:54AM
Tuesday, June 26, 2018

Critic’s Notebook: Sleights of Hand With Cards, Coins and a Colander by Alexis Soloski

The magicians Joshua Jay and Vitaly Beckman, both in one-man shows in Manhattan, are exploring uses of enchantment. And kitchen supplies.

SOURCE: The New York Times Subscription at 01:18PM
Thursday, June 21, 2018

Review: In ‘American Weather,’ the Heart is a Lonely Voter by Alexis Soloski

If Chris Green’s puppet theater piece is a work of political theater, it is abstract and unemotional in a time that seems anything but.

SOURCE: The New York Times Subscription at 01:48PM
Wednesday, June 20, 2018

For ‘Mary Page Marlowe,’ Six Actresses Share One Role by Alexis Soloski

They portray the title character in this play by Tracy Letts. In a conversation, they talked about their work and the production.

SOURCE: The New York Times Subscription at 10:18AM
Tuesday, June 19, 2018

Review: ‘Sugar in Our Wounds’ May Make You Cry About the Past, and the Present by Alexis Soloski

This Manhattan Theater Club production, written by Donja R. Love and directed by Saheem Ali, is set in the antebellum South.

SOURCE: The New York Times Subscription at 10:06PM
Wednesday, June 13, 2018

Review: In ‘Red Hills,’ a Guided Tour of Atrocities by Alexis Soloski

Revisiting Rwanda 20 years after the brutal genocide there, two men meet again and fact and fiction are sorted out.

SOURCE: The New York Times Subscription at 08:48PM
Monday, June 11, 2018

A rallying cry for acceptance: how the Tony awards brought the house down by Alexis Soloski

After last year saw Kevin Spacey making a litany of bad jokes, this year’s celebration of Broadway was a kinder affair with a theme of inclusivity throughoutHas it really only been a year …

SOURCE: The Guardian at 03:42PM
Sunday, June 10, 2018

Review: ‘This Was the End,’ a Spectral Riff on Chekhov by Alexis Soloski

Mallory Catlett’s play, a multimedia meditation on memory and decay, imagines the characters of Chekhov’s “Uncle Vanya” 30 or 40 years later.

SOURCE: The New York Times Subscription at 03:12PM
Tuesday, June 5, 2018

Review: In ‘This Is Modern Art,’ Say It and Spray It by Alexis Soloski

This didactic play is based on actual events in Chicago, where graffiti artists tagged a major museum.

SOURCE: The New York Times Subscription at 02:48PM
Monday, June 4, 2018

When the ‘Mean Girls’ Were Teen Girls by Alexis Soloski

Three stars of the hit Tina Fey musical talk about their real-life high school years: the highs, the lows, the bullies and the bell bottoms.

SOURCE: The New York Times Subscription at 02:48PM
Friday, June 1, 2018

the 25 best american plays: The Ones We Left Behind by Ben Brantley, Jesse Green, Laura Collins-Hughes, Alexis Soloski and Elisabeth Vincentelli

Majority rule (mostly). One play per playwright. How we put together the 25 Plays list, and a bid to remember notable writers and favorite works that missed the cut.

SOURCE: The New York Times Subscription at 12:48AM
Thursday, May 31, 2018

The Boys in the Band review – Broadway revival of landmark gay show is a winner by Alexis Soloski

Booth Theater, New YorkA starry cast delights in a glossy new version of the 1968 play that balances sharp wit with uncomfortable observationsSticks and stones will break your bones. Words w…

SOURCE: The Guardian at 11:18PM

13 Plays and Musicals to Go to in N.Y.C. This Weekend by Alexis Soloski

Previews, openings and some last-chance picks.

SOURCE: The New York Times Subscription at 05:48PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre