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Thursday, November 15, 2018

Love-Lies-Bleeding review – Don DeLillo play is a matter of life and death by Michael Billington

Print Room at the Coronet, London The novelist’s 2005 drama opens up arguments about assisted death and the point at which life ceases to have meaningMany of the great American novelists �…

SOURCE: The Guardian at 06:33AM
Wednesday, November 14, 2018

Hadestown review – musical Orpheus myth is a beguiling fable for today by Michael Billington

Olivier, LondonThere are some cracking songs in Rachel Chavkin and Anaïs Mitchell’s haunting journey through the underworldThis is a show that escapes easy definition. With music, lyrics …

SOURCE: The Guardian at 07:04AM
Sunday, November 11, 2018

Pinter Three and Four review – terror from Tamsin Greig, and a hilarious Lee Evans by Michael Billington

Harold Pinter theatre, LondonGreig shows nothing is now beyond her range while Evans’s physical comedy is a delight as this short-drama season highlights Pinter’s fascination with marita…

SOURCE: The Guardian at 07:06AM
Friday, November 9, 2018

The Hoes review – Essex girls in Ibiza search for sex and security by Michael Billington

Hampstead theatre, LondonIfeyinwa Frederick’s debut play about three friends on holiday veers from comic to serious in a flashThis is a debut play by Ifeyinwa Frederick about three Essex-b…

SOURCE: The Guardian at 08:42AM
Thursday, November 8, 2018

The Watsons review – Austen heroine brought stunningly back to life by Michael Billington

Minerva, Chichester In Laura Wade’s bold and playful adaptation of Austen’s unfinished novel, the mutinous characters threaten to take control of the dramaI would seriously urge anyone p…

SOURCE: The Guardian at 06:32PM
Wednesday, November 7, 2018

Zoo review – soulmates, sloths and slutty penguins by Michael Billington

Theatre 503, London A Florida zoo curator befriends a British bat enthusiast in Lily Bevan’s engaging pair of interwoven monologuesLily Bevan is a talented writer-performer who has previou…

SOURCE: The Guardian at 11:06AM
Tuesday, November 6, 2018

White Teeth review – Zadie Smith's 'multiculti' melting pot boils over by Michael Billington

Kiln, LondonStephen Sharkey adapts Smith’s immigrant tale with zest but struggles to contain the novel’s dizzying temporal leaps Adapting Zadie Smith’s phenomenal novel for the stage i…

SOURCE: The Guardian at 07:42PM
Sunday, November 4, 2018

The Funeral Director review – sex, death and religious belief by Michael Billington

Southwark Playhouse, LondonIman Qureshi’s award-winning play examines Islamic attitudes to same-sex relationships with grace and dignityEvery year the Papatango New Writing prize comes up …

SOURCE: The Guardian at 07:06AM
Friday, November 2, 2018

Bury the Dead review – fallen soldiers refuse to lie down by Michael Billington

Finborough theatre, London Six dead men do not want to be buried in Irwin Shaw’s expressionist but schematic anti-war play from 1936You can applaud a play’s intentions without enjoying i…

SOURCE: The Guardian at 10:54AM
Thursday, November 1, 2018

ear for eye – debbie tucker green's furious dissection of racial injustice by Michael Billington

Royal Court, LondonGenerational friction, slavery laws and police protocol all come under scrutiny in a stirring three-part study of oppressionAs she showed in her plays hang (2015) and trut…

SOURCE: The Guardian at 08:24PM
Wednesday, October 31, 2018

Dealing With Clair review – Martin Crimp's fierce swipe at pious yuppies by Michael Billington

Orange Tree theatre, RichmondThis revival gains an eerie topicality, yet its ingenious study of moneyed hypocrisy makes it truly timelessBy an extraordinary quirk of fate, Martin Crimp’s 1…

SOURCE: The Guardian at 08:24AM
Tuesday, October 30, 2018

Soldier On review – veterans and actors join forces to tell military tales by Michael Billington

The Other Palace, LondonEx-service personnel work alongside professional actors in Jonathan Lewis’s ingenious piece of meta-theatreWritten and directed by Jonathan Lewis, this is a play ab…

SOURCE: The Guardian at 07:12PM
Monday, October 29, 2018

The haranguing of David Edgar – by his 20-year-old self by Michael Billington

The playwright’s imagined confrontation with the political activist he was 50 years ago is a triumph of confessional courage – and relentless optimismWhat happened to the Sgt Pepper gene…

SOURCE: The Guardian at 12:24PM
Friday, October 26, 2018

I and You review – Maisie Williams blazes with a craving for life by Michael Billington

Hampstead theatre, LondonThe Game of Thrones star plays a surly death-haunted 17-year-old whose life is changed by a book of poems and an unlikely friendshipScarcely known in Britain, Lauren…

SOURCE: The Guardian at 07:32AM
Thursday, October 25, 2018

A Very Very Very Dark Matter review – so, did Hans Christian Andersen keep a woman in cage? by Michael Billington

Bridge theatre, LondonJim Broadbent is brilliantly buffoonish and sadistic in Martin McDonagh’s wildly inventive dismantling of the great Danish storytellerMartin McDonagh’s new play is …

SOURCE: The Guardian at 06:12AM
Wednesday, October 24, 2018

The Wild Duck review – Ibsen tarred and feathered by Robert Icke by Michael Billington

Almeida, London This parasitic rewrite treats a masterpiece as a lecture and totally overlooks Ibsen’s elusive comedyIf you want an example of the arrogance of director’s theatre, head t…

SOURCE: The Guardian at 07:06AM
Friday, October 19, 2018

Troilus and Cressida review – love, war and lechery on the road to dystopia by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonVirtuoso percussionist Evelyn Glennie provides a soundscape for Gregory Doran’s futuristic production Expectation whirls me round, to borrow a…

SOURCE: The Guardian at 06:33AM
Thursday, October 18, 2018

Stories review – Nina Raine's smart drama about seeking a sperm donor by Michael Billington

Dorfman, LondonPlaying a single woman determined to have a child, Claudie Blakley lights up a new play by the Consent dramatistA character in Nina Raine’s vibrant new play points out that …

SOURCE: The Guardian at 09:54AM
Wednesday, October 17, 2018

Company review – sex-switch Sondheim proves a heavenly fling by Michael Billington

Gielgud theatre, London Rosalie Craig and Patti LuPone star in Marianne Elliott’s reimagining of the musical about marriage and the single lifeA gender change can work wonders. It is no se…

SOURCE: The Guardian at 07:36PM
Monday, October 15, 2018

The Wider Earth review – Natural History Museum's Darwin spectacular by Michael Billington

Natural History Museum, LondonCharles Darwin’s adventures aboard the HMS Beagle are told through engrossing puppetry and painterly projectionsThis is an unusual enterprise. The museum’s …

SOURCE: The Guardian at 02:04AM
Friday, October 12, 2018

Measure for Measure review – sex, power and shock as Atwell and Lowden reverse roles by Michael Billington

Donmar Warehouse, LondonJosie Rourke directs an ingenious production starring Hayley Atwell and Jack Lowden, giving us Shakespeare’s play twiceThere are no half measures in Josie Rourke’…

SOURCE: The Guardian at 07:18AM
Wednesday, October 10, 2018

I'm Not Running review – David Hare's Labour play hits political bullseyes by Michael Billington

Lyttelton, LondonHare’s state-of-the-nation drama pricks the mind and is supported by strong performances but it lacks momentumDavid Hare has acute antennae and in his 17th new play for th…

SOURCE: The Guardian at 07:18AM
Tuesday, October 9, 2018

The Height of the Storm review – Pryce and Atkins are magnetic by Michael Billington

Wyndham’s, LondonJonathan Pryce and Eileen Atkins excel in Florian Zeller’s beautifully elusive play, translated by Christopher HamptonThe one sure fact about a play by Florian Zeller is…

SOURCE: The Guardian at 05:12PM

Twelfth Night review – Kwame Kwei-Armah brings carnival spirit to Young Vic by Michael Billington

Young Vic, LondonThe artistic director opens his first season with a festive, expertly choreographed production but it misses Shakespeare’s blend of laughter and sadnessKwame Kwei-Armah op…

SOURCE: The Guardian at 06:24AM
Monday, October 8, 2018

The Misfits review – fresh take on Miller and Monroe tale of masculinity crisis by Michael Billington

Smock Alley, Dublin Annie Ryan provides a new perspective on Arthur Miller’s short story and film in this brooding, intelligent showAnnie Ryan, who successfully adapted A Girl Is a Half-Fo…

SOURCE: The Guardian at 07:36AM
Sunday, October 7, 2018

Hamlet/Richard III review – Ruth Negga plays the Prince with priceless precision by Michael Billington

Gate/Abbey theatre, DublinYaël Farber’s Hamlet offers freshly minted thrills, while Aaron Monaghan brings demonic glee to the role of Richard IIIShakespeare, unusually, dominates the two …

SOURCE: The Guardian at 07:24AM
Wednesday, October 3, 2018

Sketching review – James Graham's London landscapes inspired by Dickens by Michael Billington

Wilton’s Music Hall, LondonGraham and eight previously unproduced writers present stories that capture the oddity and excess of the capital Inspired by Charles Dickens’ Sketches by Boz, …

SOURCE: The Guardian at 06:33AM
Tuesday, October 2, 2018

Pack of Lies review – MI5 wake up the neighbours in sleepy suburbia by Michael Billington

Menier Chocolate Factory, London Finty Williams excels in the role first played by her mother, Judi Dench, in Hugh Whitemore’s slow-burning spy storyThis slow-burning play by Hugh Whitemor…

SOURCE: The Guardian at 07:04AM
Sunday, September 30, 2018

Hogarth's Progress review – dazzling double bill charts artist's path to woe by Michael Billington

Rose theatre, KingstonKeith Allen excels as the embittered old painter in the second of Nick Dear’s two plays following the life of William HogarthThere is a palpable irony to the umbrella…

SOURCE: The Guardian at 06:36AM
Friday, September 28, 2018

Pinter at the Pinter review – terrifying, tantalising power games by Michael Billington

Harold Pinter theatre, London Antony Sher, David Suchet and Hayley Squires are among the cast for a compelling set of works by the master playwrightJamie Lloyd has had the bold, bright idea …

SOURCE: The Guardian at 07:18AM
Thursday, September 27, 2018

Antony and Cleopatra review – Okonedo and Fiennes are a magnificent match by Michael Billington

Olivier, London Simon Godwin directs a terrific and epic National Theatre production, filled with passion and delusionThis is the third production of Shakespeare’s tragedy on the Olivier s…

SOURCE: The Guardian at 06:48AM

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