All stories by Michael Billington on BroadwayStars

Thursday, September 6, 2018

Sweet Charity review - cracking revival with Rebecca Trehearn a pitch-perfect lead by Michael Billington

Nottingham PlayhouseA strong score, fresh choreography and a spirited cast save Fellini-inspired musical from feeling irredeemably datedI sometimes worry that our regional theatres are over-…

SOURCE: The Guardian at 09:24AM
Wednesday, September 5, 2018

Dance Nation review – angst and ecstasy of cut-throat school contest by Michael Billington

Almeida, LondonClare Barron lifts the curtain on American unease in a show packed with energy, sly satire and first-rate performancesClare Barron’s prize-winning American play is the theat…

SOURCE: The Guardian at 09:24AM
Monday, September 3, 2018

Over Kiln: the Tricycle theatre doesn't need a new name by Michael Billington

Indhu Rubasingham has overseen a rebrand for the north London theatre but her exciting programme doesn’t suggest a radical break from its rich history. So why the new moniker?What’s in a…

SOURCE: The Guardian at 08:04AM
Sunday, September 2, 2018

Caryl Churchill at 80: theatre's great disruptor by Michael Billington

She has made every theatre trip an adventure into the unknown, with a relentless urge to experiment that hasn’t abated over almost 40 playsCaryl Churchill, who will be 80 on 3 September, w…

SOURCE: The Guardian at 11:12AM
Monday, August 27, 2018

Dazzling drama: the unmissable theatre, dance and comedy of autumn 2018 by Michael Billington

Gender-swapped classics, Hans Christian Andersen’s closet secrets, two giants of US comedy sharing a stage, plus Ralph Fiennes and Sophie Okonedo as rulers in love More autumn picks: Film …

SOURCE: The Guardian at 06:18AM
Friday, August 24, 2018

Tamburlaine review – Michael Boyd lays on an epic, entrancing bloodbath by Michael Billington

The Swan, Stratford-upon-AvonA dazzling Jude Owusu is haunted by the dead as the RSC revives Marlowe’s story of violence, vengeance and vanityMichael Boyd, in his return to the RSC, brings…

SOURCE: The Guardian at 08:42AM

Copenhagen review – Michael Frayn's masterwork still blazes with mystery by Michael Billington

Minerva, Chichester History, morality and quantum mechanics collide in Michael Blakemore’s storming revival of a modern classicMore information has come to light, since Michael Frayn’s p…

SOURCE: The Guardian at 05:36AM
Wednesday, August 22, 2018

The Rise and Fall of Little Voice review – Cinderella still has the vocal chops by Michael Billington

Park theatre, LondonA real-life mother and daughter play the lead roles in Tom Latter’s capable revival of Jim Cartwright’s playThe hook for this revival of Jim Cartwright’s famed 1992…

SOURCE: The Guardian at 02:24AM
Monday, August 20, 2018

Homos, Or Everyone in America review – the age-old conflict between monogamy and sexual freedom by Michael Billington

Finborough theatre, LondonJordan Seavey’s provocatively titled new play charts the ups and downs of a relationship while making sharp points about the persistence of homophobia‘Is he str…

SOURCE: The Guardian at 03:04AM
Friday, August 17, 2018

The Price review – David Suchet glows in Arthur Miller revival by Michael Billington

Theatre Royal, BathMiller’s 50-year-old play emerges as one of his best, as two estranged brothers learn the cost of dividing the family spoilsOn its Broadway debut in 1968, Arthur Miller�…

SOURCE: The Guardian at 06:36AM
Thursday, August 16, 2018

Emilia review – speculative history of Shakespeare's lover brims with wit and rage by Michael Billington

Shakespeare’s Globe, LondonThe supposed dark lady of the sonnets is transformed into a convincing symbol of exploited women through the agesWhat do we know of Emilia Bassano? That she live…

SOURCE: The Guardian at 06:33AM
Wednesday, August 15, 2018

The Merry Wives of Windsor review – Essex is not the only way by Michael Billington

Royal Shakespeare Theatre, Stratford-upon-AvonFiona Laird’s production provides wheelie-bins, estuary accents, physical comedy and a first-rate Falstaff, but loses the sense of small-town …

SOURCE: The Guardian at 07:32AM
Friday, August 10, 2018

Aristocrats review – Brian Friel's striking portrait of a family in decline by Michael Billington

Donmar Warehouse, LondonOverly abstract production lifted by first-rate performances in an engrossing tale of decaying culture and rocky relationships As Translations closes at the National,…

SOURCE: The Guardian at 06:54AM
Thursday, August 9, 2018

Switzerland review – Patricia Highsmith plots a playful murder by Michael Billington

Ustinov Studio, BathThe writer gets a mystery visitor in Joanna Murray-Smith’s smartly self-referential salute to her riveting crime tales‘The most important crime novelist in practice,�…

SOURCE: The Guardian at 06:42PM
Wednesday, August 8, 2018

Bring It On review – Lin-Manuel Miranda songs bring cheer to hit-and-miss musical by Michael Billington

Southwark Playhouse, LondonWith numbers co-written by the award-winning Hamilton creator, the real gem is the show’s scoreBetween creating In the Heights and Hamilton, Lin-Manuel Miranda c…

SOURCE: The Guardian at 11:06AM
Friday, August 3, 2018

The Importance of Being Earnest review – Wilde's comic masterpiece lost in shouty frenzy by Michael Billington

Vaudeville theatre, LondonMichael Fentiman’s coarse production robs Wilde of his decorum, swapping subtleties and satire for screaming and sexThis is one of those occasions when, in the wo…

SOURCE: The Guardian at 08:32AM
Thursday, August 2, 2018

Othello review – Mark Rylance and André Holland get to heart of the play by Michael Billington

Shakespeare’s Globe, LondonRylance is a fascinating and nihilistic Iago and André Holland exudes majestic dignity as Othello in Clare van Kampen’s lively and unsettling productionAny pr…

SOURCE: The Guardian at 07:06AM
Thursday, July 26, 2018

Theatre review: King Lear / Courtyard, Stratford-upon-Avon by Michael Billington

Courtyard, Stratford-upon-AvonIt is no exaggeration to say that this King Lear is long-awaited. Critics, in fact, have been waiting impatiently for nine weeks to get a glimpse of a productio…

SOURCE: The Guardian at 10:54PM

Exit the King review – Rhys Ifans’s dying despot is majestic by Michael Billington

Olivier, LondonIfans’ performance shows he’s ready for the big Shakespeare roles, though Ionesco’s absurdist drama is considerably less compellingFor its first foray into the world of …

SOURCE: The Guardian at 08:36AM
Wednesday, July 25, 2018

Spamilton review – a Hamilton parody by numbers by Michael Billington

Menier Chocolate Factory, London This fast-moving spoof of Lin-Manuel Miranda’s hit musical seems torn between admiration and scepticismFor the past 36 years, Gerard Alessandrini has been …

SOURCE: The Guardian at 06:24AM
Friday, July 20, 2018

The Meeting review – quiet Quaker rebellion provokes crisis of faith by Michael Billington

Minerva, ChichesterCharlotte Jones’s drama pitches a non-violent religious community on to the Napoleonic wars’ spiritual frontlineCharlotte Jones is an unpredictable dramatist. In her m…

SOURCE: The Guardian at 09:18AM
Thursday, July 19, 2018

Pity review – absurdist comic strip misses its target by Michael Billington

Royal Court, LondonRory Mullarkey’s unfocused drama of a Britain collapsing in apocalyptic chaos is not helped by the production’s aural and visual overkillI guess this new play by Rory …

SOURCE: The Guardian at 08:06PM
Wednesday, July 18, 2018

Allelujah! review – Alan Bennett's hospital drama is full of quiet anger by Michael Billington

The Bridge theatre, LondonPatients’ singalongs and Bennett’s stinging wit light up a state-of-the-nation play set on a geriatric ward Hospitals make good theatre. Shortly after Alan Benn…

SOURCE: The Guardian at 06:04PM

Theatre review: Mother Clap's Molly House by Michael Billington

Mother Clap's Molly HouseNational Theatre, London Rating: ****Mark Ravenhill clearly likes to have it both ways. In this wonderfully exuberant new musical play at the Lyttelton, he celebrat…

SOURCE: The Guardian at 11:24AM

His Dark Materials, National Theatre, London by Michael Billington

National Theatre, London· Picture gallery: images from the productionNothing is more tempting than the apparently impossible. But, although director Nicholas Hytner and his creative team di…

SOURCE: The Guardian at 11:24AM

Alan Bennett's new play is not just about history - it makes history by Michael Billington

Alan Bennett’s new play is not just about history - it makes history. Michael Billington hails a masterpieceSchool shapes our ends - almost literally so in the case of the more sexually pr…

SOURCE: The Guardian at 10:18AM
Tuesday, July 17, 2018

A Monster Calls review – adolescent reality meets fairytale fantasy with wit and charm by Michael Billington

Old Vic, LondonSally Cookson delivers an exhilarating production of Patrick Ness’s story about a lonely boy coping with grief, bullying and a monster in a yew treeSometimes it is good to g…

SOURCE: The Guardian at 06:54PM
Saturday, July 14, 2018

Made in Dagenham review – brassy Gemma Arterton musical lacks passion by Michael Billington

Adelphi, LondonDirected by Rupert Goold, this stage version of the film suffers from its caricatures, relentless jokiness and functional score • Ford fiesta: Made in Dagenham musical opens…

SOURCE: The Guardian at 09:18AM
Friday, July 13, 2018

Paul, National, London by Michael Billington

National, London"Only an artist can understand religion." So says the emperor Nero at the end of Howard Brenton's new play about Saint Paul.But, even if Nero's point is debatable, Brenton's …

SOURCE: The Guardian at 11:32AM

The Lehman Trilogy review – Mendes is on the money with astonishing saga by Michael Billington

Lyttelton, LondonThis engrossing play about the banking family provides a history of western capitalism and an acting masterclass from Simon Russell Beale, Ben Miles and Adam GodleyWhat an a…

SOURCE: The Guardian at 08:12AM
Thursday, July 12, 2018

As You Like It review – captures love's exhilarating madness by Michael Billington

Open Air theatre, Regent’s Park, LondonOlivia Vinall and Edward Hogg light up a production whose pleasures outweigh its preachinessMax Webster’s production of Shakespeare’s comedy sets…

SOURCE: The Guardian at 08:06AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre